![]() ![]() In February, the Metropolitan Museum of Art in New York City hosted a production of Fidelio, an Enlightenment paean to freedom and to marital love. Now even that cordon sanitaire between the structure of a work and an interpreter’s political preferences has been breached.īeethoven has been a particular target for textual revision. Such directorial interventions left the libretto intact, however. They do so through wildly incongruous stagings that update the action to modern times and introduce progressive totems that would have been unfathomable to an opera’s original creators. For decades, opera directors in Europe and the United States have felt licensed to revise operas to conform to their political agendas.
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